Matheus Siqueira

Rhythm & Trance in images

Snippets of a brief history of Rhythm & Trance in images. Same concepts in different cultures?

La Vie Nouvelle

Philippe Grandieux

Jathilan

Vincent Moon

Les Maîtres Fous

Jean Rouch

La Question Humaine

Nicolas Klotz


Windows, Hipertext, cinema & videogame

What has been the influence of internet and new technologies in cinema is one of the main topics that interest me when sutdying film aesthetics. Here we can see a short comparations between Russian Ark with a concept of the hipertexted viewer and the idea of multiple stories that are left by the side and Bioshock Infinity.

Russian Ark

Aleksander Sokurov

Bioshock Infinity

Irrational Games

Starting at 7:35

Redacted

Brian de Palma

A more literal view on the window hipertext idea where multiple views are presented through literal computer windows.


Colin Turnbull

Sometimes in my life I get quite lost thinking on what to do next. Appearently nowadays the need to focus on your career and to everything within your grasp to grow dwarfs the possibility of exploration in life.

Some of my favorite artists and writers had such a windy path in life that looking up to these people kind of make my life feel better. Two brief examples are Roberto Bolaño and George Orwell. I personally relate to these two because I worked in positions similar to those that they once worked.

Bolaño for instance was a night security guard in a camping close to Barcelona and Orwell in his letters described his work as the lowest ranking employee of a dirty restaurant in Paris.

Having worked in Dunkin Donuts, Subway and recently as a night receptionist in a hostel I like to think that maybe I have something in common with these two authors.

Researching for my thesis I found the biography of the antropologist and it really called my attention for the range of things he had done, from constructings boats, to being a gold miner and after a professor, writer and song recordist.

His CV would look like this:

Colin Turnbull

{}

Home Address:
33 Union Street,
Bletchley Park,
B6 3AE.

Tel. (0161) 351 4039

Nationality: British

EDUCATION AND QUALIFICATIONS

Magdalen College, Oxford Politics and Philosophy
1942 - 1946

Banaras Hindu University, India MA in Indian Religion and Philosophy
1946 - 1948

University of Oxford, Oxford PhD in Anthropology
1954-1964

WORK EXPERIENCE

1951 - Congo Studied the Mbuti pygmies.

1951 - Sam Spiegel Boat construction and transportation for the hollywood film African Queen

1953 - Yellowknife, Canada Gold Miner and geologist

1959 - American Museum of Natural History Curator in charge of African Ethnology

1960s - Virginia Staff in the Department of Sociology and Anthropology at Virginia Commonwealth University.

1961 - Virginia Writer of the book The Forest People

1961 - Lyrichord Discs Recordings for the cd Music of the Rainforest Pygmies

1972 - Virginia Writer of the book The The Mountain People

1980s - Peter Brook Theatrical adaptation of The Mountain People


The not-inocent object

I recently found this old but very interesting interview with Cronemberg where one particular paragraph called my attention:

...there are no innocent objects. They're all guilty by definition. Most of the objects we're talking about are created by people anyway. They're not natural objects. Part of what I'm talking about is the way in which reality is created by us. We are the only reality we have. It's a scary thought, but it's also my version of existentialism; that all the technology that's so invisible—this room, for instance, the air conditioning, the light—is just not natural and is, therefore, an expression of our will and our sexuality and everything else. All those objects have these things latent in them.

High-heeled shoes are obviously a great fetish object. Think of what they're for. They're a thing that deforms the way a woman's body stands, and the way her pelvis moves, and they're meant to be sexual, and why not focus on that? So much has gone into making this table, your tape recorder—all of our will and our creative ability for thousands of years has gone into making them. And so they are not innocent objects, they're full of powerful meanings of all kinds.

The interview instigated me to further analyze a brief history of the relationship of objects and people throughout cinema. To do this I utilized the concept of fetishism in its primitive anthropological way and further more in the freudian way of usage.

The maltese Falcon

The anthropology fetishism

Marnie

Freudian Fetishism
marnie_11

Videodrome

"I'm not so innocent"
Screen_Shot_2014_02_21_at_07_55_48


The digital actor and the emptiness of being

With the possibility of endless repetition also came the possibility to react the same scene over and over until a non-actor can empty his being and fully embody the character for the camera.

10

Abbas Kiarostami

No Quarto da Vanda

Pedro Costa

The same idea but this time applied to the subject of the documentary.

Teen Mom

MTV USA

The reality show as the apogee of the digital actor.


The Snow Melancholy Reflexive Ride

The melancholy of snow and an infinite point of view where your gaze is drawn

West of the Tracks

Wang Bing

Call of Duty

Activision