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Story design em curtas-metragens ficcionais
Esse texto é uma tradução do original em inglês que Richard Raskin escreveu para o livro Raindance writer’s lab + sell the hot screenplay (Grove, E. 2009. Londres: Focal Press, p. 119–126). O propósito desse artigo é propor um modelo que possa ser usado como um guia na escrita de roteiros para curtas-metragens e que […]
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Raiders of the Lost Ark vs Soderbegh
Watch the movie where this was originally posted by Steven Soderbergh Below I copy the text that was posted together with the video I’m assuming the phrase “staging” came out of the theatre world, but it’s equally at home (and useful) in the movie world, since the term (roughly defined) refers to how all the […]
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Diary: Boyhood and Proust
Boyhood 2014 – Richard Linklater Configuring as what I’m considering one of the best movies of 2014 and a very interesting experience to cinema as a whole, Richard Linklater movie is cinema at it’s core: time. Capturing the characters for 12 years is not just a gimmick to market the film, or a backdrop to […]
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Storyboard P. and the cinematic in dance
Sometimes you see cinema in very odd places, recently I discovered about Storyboard P, a street dancer from NYC that as his name says draws his influences strongly on cinema. Called by the New Yorker as the “the Basquiat of street dancing”the article cites his impressive features as a dancer but forgets to dwelve on […]
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Action-Image vs Energy-Image
Notes from one of my classes on Critic History of Cinema with Fran Benavente. First the definition of Energy-Image: A image that furthermore than explaining and defining the story it prioritizes the sensation. An example of image action is the cinema of Philippe Grandieux. Un Lac Philippe Grandieux In Grandieux we can see clearly what […]
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The Snow Melancholy Reflexive Ride
[vc_row][vc_column][vc_column_text]The melancholy of snow and an infinite point of view where your gaze is drawn West of the Tracks Wang Bing Call of Duty Activision [/vc_column_text][/vc_column][/vc_row]